Two Thumbs Way Up

Somehow Roger Ebert’s final film review (Terrence Malick’s “To The Wonder”) is a pretty incredible metaphor for human existence.

Why must a film explain everything? Why must every motivation be spelled out? Aren’t many films fundamentally the same film, with only the specifics changed? Aren’t many of them telling the same story? Seeking perfection, we see what our dreams and hopes might look like. We realize they come as a gift through no power of our own, and if we lose them, isn’t that almost worse than never having had them in the first place?

Ebert, like always, has fantastic timing.

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